Gregory Whitehead:

selected works for radio, installation and performance

Four Trees Down From Ponte Sisto, radio play based on the poems of Sharon Charde,

BBC 4, 2012 (in process).


Yankee Doodle, audio installation for twelve head voices, 2012 (in process).


Potato God Scarecrow, a freely floating castaway, Radiophonic Creation Day, 2011.

Released on cassette via Banned Productions.


Bring Me The Head Of Philip K. Dick, an imaginary documentary,

in collaboration with Mark Burman and Nick Zammuto, BBC Radio 3, 2009.


A Tale of Two Skulls, a docuperformative enquiry into all that remains,

in collaboration with Jane Wildgoose and Neil McCarthy, BBC Radio 3, 2008.


The Day King Hammer Fell From The Sky, play, with music by Laura Wiens and Nick Zammuto,

BBC Radio 4, 2007.


Bread On The Waters, radio doc in a bottle, in collaboration with Neil McCarthy, BBC 3, 2006.


The Club, play, with music by Richard Busch, BBC 3, 2006.


Project Jericho, documentary in collaboration with Mark Burman, BBC 3, 2005.


The Catastrophe Class, radiocast, Generator Sound Art CD, 2005.


No Background Music, in collaboration with playwright Normi Noel

and featuring Sigourney Weaver, BBC 4, 2005.


Danse Macabre, marionette theater, in collaboration with Michel Nedjar, Allen S. Weiss and Mark Sussman, Halle St. Pierre, Paris, 2004.


Song For a Headless Apache, toy theater, inspired by Great Small Works, 2004.


On One Lost Hair, documentary, in collaboration with Neil McCarthy and Jane Wildgoose, BBC 4, 2004


Resurrection Ranch, anticipatory documentary, in collaboration with Virginia Crompton, BBC 4, 2003


The Loneliest Road, play, with music by The Books, BBC 3, October 2003


The Bone Trade, multimedia installation, Mass MOCA, 2003,

in collaboration with John Dryden and Harry Willis Fleming.


O Monstrous Voice Like Mine, ten minute play, 2002


Four Radio Cartoons, BBC Radio 3, The Verb, 2002


American Heavy, play, with music by Richard Busch, BBC 4,2001.


Delivery System No. One, video installation, Location One Gallery, NYC, June, 2001.


The Marilyn Room, BBC 4, 2000.


The Bone Trade, TV movie, directed by John Dryden, 2000.


Marination, Perspiration, Respiration three short features, 1999-2000, BBC 4.


Theatre of the Ears, in collaboration with Mark Sussman and Allen S. Weiss,

with text by Valere Novarina, 1999, CalArts.


The Big Man, play, 1999, Australian Broadcasting Corporation.


Talk to Sleep, quartet of plays, 1999, BBC 4, London.


Strands, 1997, Aldwych installation/performance, Austrian Radio (ORF),

in collaboration with Harry Willis Fleming and Michelle Griffiths, among others.


Bewitched, Bothered, Bewildered, radio essay, 1997, ABC.


Songs From the Boneyard, voiceworks, 1997, Villa Arson, Radio France.


Nothing But Fog, play, in collaboration with Richard Busch, 1996, Sound Culture, KPFA, San Francisco.


L'indomptable (The Unconquerable), radio essay in collaboration with Allen S. Weiss, Radio France,1996.


The Thing About Bugs, play/performance with Christof Migone, New American Radio, 1995.

CD, Generator Sound Art.


Shake, Rattle and Roll, broadcast performance, New American Radio, 1993.


Dead Letters, radiophilosophical essay, CD, Staalplaat, 1995: a remaster of the original 1985 production.


The Pleasure of Ruins and other outcasts, voiceworks, CD, Staalplaat, 1993;

a secondary release of voice works composed between 1983 and 1992.


Pressures of the Unspeakable, Australian Broadcasting Corporation,

in collaboration with John Jacobs and Roz Cheney, 1992. Released on a Radius CD.


How to Pronounce "The New World Order", TransVoices,

American Center in Paris /Whitney Museum of American Art, 1991.


Lovely Ways To Burn, New American Radio, 1990. Minerva Editions cassette.


Writing on Air, various broadcasts and performances, 1989. Minerva Editions cassette.


Disorder Speech, razor castaways for radio, 1987. Minerva Editions cassette.


Display Wounds, ruminations of a vulnerologist, New American radio, 1986.

Minerva Editions cassette.